In the 1970s, an underground urban movement known
as "Hip Hop" began to develop in the South Bronx in New York City. It
focused on rap music (or MCing), break-beats, and house parties. Jamaican-born
DJ Clive "Kool Herc" Campbell is the main creator of hip hop music or we can say the father of hip hop music.
Beginning at Kool Herc's home in a high-rise apartment,
the movement later spread across the entire borough.
Rap—the rhythmic spoken delivery of rhymes and wordplay,
delivered over a beat or without accompaniment is derived from Jamaican-style
toasting. The basic contents of hip
hop music is boasting raps, rival posses, uptown throw-downs, and political
commentary. These were all present in Trinidadian music as long
ago as the 1800s, though they did not reach the form of commercial recordings
until the 1920s and 1930s. When rock steady
and reggae
bands looked to make their music a form of national and even international
Black resistance, they took Calypso's example. Calypso itself, like Jamaican
music, moved back and forth between the predominance of boasting and toasting
songs packed with 'slackness' and sexual innuendo and a more topical, political,
'conscious' style.
Street gangs
were prevalent in the South Bronx who were below poverty, and much of the graffiti,
rapping, and b-boying
at these parties were all artistic variations of the competition and
ones upmanship of street gangs. Sensing that gang members' often violent urges
could be turned into creative ones, Afrika Bambaataa founded the Zulu Nation, a loose confederation of
street-dance crews, graffiti artists, and rap musicians. By the late 1970s, the
culture had gained media attention, with Billboard magazine printing an
article titled "B Beats Bombarding Bronx", commenting on the local
phenomenon and mentioning influential figures such as Kool Herc.
referred from
Wikipedia
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